How to Control Motion with Kling's Motion Brush
Paint motion paths directly onto an image in Kling to control exactly what moves and where.
The Motion Brush in Kling lets you paint over parts of an image and assign each painted area its own direction of movement. Instead of hoping a text prompt animates the right thing, you tell the model precisely which pixels should move and which should stay locked. This is the single biggest control upgrade in Kling.
What you need
- A Kling account with Motion Brush access
- An image with distinct regions you want to move separately
- Patience for a couple of test renders
- About 8 minutes
Step 1: Load the image and open Motion Brush
Start an Image to Video job, upload your image, then click the Motion Brush icon below the canvas. The image opens in a painting view with a brush, an eraser, and a small panel for assigning motion to each area you paint.
Step 2: Paint your first moving area
Select Area 1 and paint over the first thing you want to move, for example a river. Keep your strokes inside the object's edges; bleeding onto neighbors causes them to smear. When the area is covered, drag the motion arrow in the direction it should travel.
Step 3: Add a second area with its own direction
Click Add area to create Area 2, then paint the clouds and set their arrow to drift the opposite way. Each area moves independently, which is how you get a river flowing right while clouds drift left in the same shot.
Step 4: Add a light text prompt
Motion Brush works best with a short prompt that matches what you painted. Keep it minimal so it reinforces the brushed motion instead of fighting it.
calm landscape, river flowing gently, clouds drifting slowly,
trees and foreground remain stillStep 5: Generate and refine the masks
Render the clip. If an area moves too far or smears at its edge, go back, shrink the brushed region slightly, and reduce its arrow length. Two or three quick passes usually dials it in.
Result
You get a landscape where the river and clouds move in opposite directions while the trees stay perfectly still, control that pure text prompting cannot deliver. The static mask is what separates a clean Motion Brush shot from a smeary one.
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