In this categoryVideo Editing · 57
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- How to Add Auto Subtitles to a Video in Submagic
- How to Add Captions and Subtitles in Descript
- How to Auto-Generate Captions in VEED
- How to Auto Caption a Video with AI
- How to Style Captions with a Template in Submagic
- How to Translate Your Video Captions Into Another Language in CapCut
- How to Add Auto B-roll and Emojis to Captions in Submagic
- How to Translate Captions into Another Language in Submagic
- How to Fix Misheard Names and Jargon in Auto Captions
- How to Export Captions as an SRT File from VEED
- How to Batch-Caption Multiple Clips Efficiently in Submagic
- How to Upload an Existing SRT and Burn Captions in VEED
- How to Position Captions in the Safe Zone for TikTok and Reels
- How to Burn an SRT into a Video with FFmpeg
- How to Auto-Caption a Video and Fix the Errors Fast
- How to Edit Video by Editing the Text Transcript in Descript
- How to Remove Filler Words Automatically in Descript
- How to Apply Studio Sound to Clean Up Audio in Descript
- How to Remove a Video Background in CapCut Without a Green Screen
- How to Create an AI Voiceover With Text to Speech in CapCut
- How to Remove Background Noise in Descript
- How to Clean Up Background Noise in CapCut With AI
- How to Record Your Screen and Webcam in Descript
- How to Remove Awkward Pauses and Dead Air in Descript
- How to Retouch Skin and Enhance Faces in CapCut
- How to Fix Mistakes with Overdub AI Voice in Descript
- How to Record and Edit a Multi-Track Podcast in Descript
- How to Export and Publish a Video from Descript
- How to Make a Text-to-Video Clip in Runway Gen-3
- How to Animate a Still Image into Video with Runway
- How to Generate a Video from an Image in Kling AI
- How to Generate Video with Veo in the Gemini App
- How to Generate Video From a Text Prompt in CapCut
- How to Control Motion with Kling's Motion Brush
- How to Extend a Clip to a Longer Shot in Runway
- How to Write Camera Moves into Video Prompts
- How to Make Vertical 9:16 Clips for Shorts and Reels
- How to Fix Warping and Artifacts in AI Video
- How to Upscale and Smooth AI Video Output
- How to Keep a Consistent Character Across AI Clips
- How to Turn a Long Video into Shorts with Opus Clip
- How to Make a Faceless YouTube Short with AI
- How to Turn a Long Video Into Short Clips With CapCut AI
- How to Create Vertical Social Clips from a Long Video in Descript
- How to Convert a Horizontal Video to Vertical With Auto Reframe in CapCut
- How to Make a Faceless Reddit Story Video
- How to Add Animated Captions to Clips in Opus Clip
- How to Reframe a Horizontal Talking-Head Video to Vertical
- How to Auto-Cut a Montage to the Beat in CapCut
- How to Write Viral Hooks and Titles for Shorts with AI
- How to Batch-Clip a Whole Podcast Episode into Ten Shorts
- How to Make a Faceless Listicle Video from a Blog Post
- How to Add B-Roll and Emojis Automatically in Opus Clip
- How to Clone Your Voice for Faceless Narration with ElevenLabs
- How to Schedule Opus Clip Shorts to TikTok and YouTube
- How to Export Videos for TikTok, Reels, and YouTube From CapCut
How to Control Motion with Kling's Motion Brush
Paint motion paths directly onto an image in Kling to control exactly what moves and where.
The Motion Brush in Kling lets you paint over parts of an image and assign each painted area its own direction of movement. Instead of hoping a text prompt animates the right thing, you tell the model precisely which pixels should move and which should stay locked. This is the single biggest control upgrade in Kling.
What you need
- A Kling account with Motion Brush access
- An image with distinct regions you want to move separately
- Patience for a couple of test renders
- About 8 minutes
Step 1: Load the image and open Motion Brush
Start an Image to Video job, upload your image, then click the Motion Brush icon below the canvas. The image opens in a painting view with a brush, an eraser, and a small panel for assigning motion to each area you paint.
Step 2: Paint your first moving area
Select Area 1 and paint over the first thing you want to move, for example a river. Keep your strokes inside the object's edges; bleeding onto neighbors causes them to smear. When the area is covered, drag the motion arrow in the direction it should travel.
Step 3: Add a second area with its own direction
Click Add area to create Area 2, then paint the clouds and set their arrow to drift the opposite way. Each area moves independently, which is how you get a river flowing right while clouds drift left in the same shot.
Step 4: Add a light text prompt
Motion Brush works best with a short prompt that matches what you painted. Keep it minimal so it reinforces the brushed motion instead of fighting it.
calm landscape, river flowing gently, clouds drifting slowly,
trees and foreground remain stillStep 5: Generate and refine the masks
Render the clip. If an area moves too far or smears at its edge, go back, shrink the brushed region slightly, and reduce its arrow length. Two or three quick passes usually dials it in.
Result
You get a landscape where the river and clouds move in opposite directions while the trees stay perfectly still, control that pure text prompting cannot deliver. The static mask is what separates a clean Motion Brush shot from a smeary one.
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